Image Retouching Past to Present

Sometimes it is necessary to do retouching on an image to obtain the best result for where it will be used. In past days of the film world a photographer would have to take extra care in noticing what is in the shot being taken because with film once shot its shot and correction was virtually impossible. This actually made the older generation of photographers out there more precise on what they were trying to achieve.

With film the only way an image could be corrected after it has been taken would be to actually retouch a transparency. Yes, that right you younger generation digital users out there, retouch a piece of positive film. This was an extremely talented process where an artist who could look at the image and then paint over the emulsion of the film the correction. Then when scanned it would be correct for print. This was a consideration not taken lightly due to the costs involved. The only other way to correct the image was to do a complete reshoot and sometimes this was not possible.

With the introduction of the digital age an image now can be cleaned up at the post production stages and small imperfections can be removed and replaced to create the desired effect. Little issues that I would notice when taking a photograph in the first place would be objects or litter on a pavement with an external shot or an untidy desk with used plastic coffee cup while taking a portrait.

As a corporate photographer in London I recently photographed a series of kitchen installations and my client wanted to use an image of the external view of the high street outlet in the advertising campaign. The only angle available to me that made the correct shot also had an obstruction of the council street bin. With film you would have had to live with it but as you can see from the two images here after a little work the bin has been removed and the wall and pipe work replaced as it was never there. This makes the image overall more attractive because before my eye would home in on the unsightly refuse container that could not be moved out of the way.

So the retouching process in modern life can be a great advantage with weddings, replacing skies on dull days and removing unwanted areas of imperfections. This has also opened up a world of services to the creative person but it is a shame that it has actually taken away the personal skill and eye of a particular photographer that would separate him or her from the rest of a crowd.

Retoching Images

Bin Removal on Image

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Insect Photography Tutorial (Part Two)

It is best to do this on a sunny day to have plenty of light and to give good contrast to the shot. This subject does not lend well to dull light conditions and needs the intensity of sunlight to display colours. It is impossible to follow one around as it is flying; the creature is way to fast to focus on or follow in a view finder so it is best to pick a spot where it is landing or taking off from and focus on that point.

Firstly you need to have some depth of field to your focus so as the dragon fly moves in flight wherever the position is there is enough depth to keep the focus. This was shot about f11. Then you need to consider shutter speeds to keep the image sharp. The wings move very quickly so to freeze them I used a shutter of 3200 sec.

To match the depth of field and shutter speed you then set a desired ISO to match them, possible around the 1000 area depending now on the light conditions. If you are able to achieve a lower ISO rating with the shutter and f: settings even the better for quality to the shot. This is where the Nikon D4 is one of the best cameras to use due to the high ISO settings you can use with virtually no noise visible in the image.

The last thing is to have the shutter set to continuous so it releases about 11 frames per second in bursts. You cannot wait for the insect to fly and then press the shutter, you will miss it. This critter moves fast and your eye awareness to brain reaction is way to slow. So here you need to predict its movement. Yes it may not move as you shoot and you will need to try again but the wonder of digital is that you do not waste film, there is a delete button so edit the card as you shoot.

Dragon Fly, Tutoial

 

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Insect Photography Tutorial (Part One)

It is often good practice to go and photograph something be it a moving or static subject to gain experience and to practice the technique so you are familiar with how to obtain a desired effect.

Being a Corporate photographer in London I go on jobs and take photographs for my clients that can be repetitive. A portrait can be asked to be done in various ways or covering a conference places you in different surroundings that take thought on how it is to be achieved but generally the situation is relatively the same, as perhaps an assignment that was covered recently that used basic camera setting for the job in hand.

A family portrait photographer is a typical example where they do not stray out of their comfort zone and only photograph time and time again the same type of subject under the same controlled environments. This is fine where you specialise in the one subject or area of photography. Hey, you do become good at it and that’s fine but when you do not know from one day to the next who you might be working for in commercial areas and the situations that you could be faced with its good to have a variety of skill sets to capture that special shot for the client.

Over the years this has been the case for me where I am photographing general requirements within the commercial world and then out of the blue I am asked to do something that is out of the ordinary and need to be prepared to say ‘’yes I can do that’’ than ‘‘no that is not really my skill area’’. Here you run the risk of loosing that client to another photographer and limiting your scope.

I have done this type of photography before but wanted to re address how to go about shooting fast moving objects. Since it was wonderful weather recently I went out to shoot these images below to create a blog spot for those who would like to know how to do this.

Dragon flies are fast creatures. They can be captured by high speed specially designed cameras that shoot thousands of images over a very short time but what if you want to use a standard DSLR camera to do it. Actually shoot them in flight. Here I used a Nikon D4 with a long lens utilising a mono pod to keep the camera steady while waiting for that moment.

Insect Photography Tutorial

 

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Light Tricks with an Alternative

It’s that time of year again when as either a professional or amature photographer when you can go out and test and experiment with your cameras. One of the favourite classes I believe with any lecture is to offer students the chance to go out and explore what the daylight can offer. Autumn, as the leaves turn golden and the sunlight becomes more yellow the colour varieties to capture are vast. One of my prefered styles when photographing scenes in the woods is to shoot into the sun. This is much easier at this time of year due to the sun being less strong than in summer, lower in the sky and you can hide it behind various parts of the trees to produce a glow effect. This in turn also creates some wonderfull shadow detail. In one of these photos it demonstates how the shadows of the trees are laying down towards the photographer and making a scene into a mystic dance of colour and shapes on the ground. The beauty of it all is that once captured the possability of the same scene reappering the next day in the same spot is greatly reduced.

Outdoor photography, shadows, autumn, lightGolden leaves, autumn, shadow detailStream, autumn scene, autumn colours

 

 

 

 

So when you have time to spare go out and photograph the wonders of this time of year. I often do to keep up a library of images should I need to refer to them at some point in the future. And if a client needs an image for a project and the choice is to obtain from a library source or refer to my stock pile it serves the purpose. I also do it because its great exercise and I love finding new places to capture on camera. Tha’ts why!

 

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